Anya Taylor-Joy Revamps Method Dressing Trends, Furiosa Style

Eyes follow Anya Taylor-Joy every time she steps on the red carpet, and the descriptions of her ensembles that follow often include adjectives like glamorous, ethereal, and angelic. But when she faced the photographer’s lens in Sydney in early May for the world premiere of George Miller’s film, Furiosa: Mad Max Sagafollowed by a string of exclamation points: Edgy! Electric! Memorable! Furiosa approved!

Taylor-Joy wore a vintage look from Paco Rabanne’s Spring 1996 Haute Couture collection. The sheer chainmail creation featured triangular and oval diamonte embellishments with arrow spikes protruding from both the body of the dress and the matching headpiece.

With her arrival, Taylor-Joy has become the latest star to fashionably fuel trends described as method dressing and character cosplay. It feels like it’s everywhere these days, thanks to style stars like Zendaya, Margot Robbie, Emma Stone, Kristen Stewart, and Florence Pugh. Although they have only gone out together a few times to hype up the long-awaited two-parter. Evil The musical version of Ariana Grande and Cynthia Erivo is heavily influenced by Pink and Green (pink is Grande’s Glinda, emerald is Erivo’s gravity-defying Elphaba), and more will be revealed ahead of the film’s release in November. Cosplay has come to be expected.

Taylor-Joy bucked the trend by appearing in Cannes on May 15 in a tulle Dior Haute Couture dress, and so did many others. Furiosa At the press tour, Taylor-Joy was seen putting the pedal to the metal with a look that would fit right in with the Millers. mad max The world of dieselpunk. The 28-year-old actress and Dior muse kicked off CinemaCon in Las Vegas in April in a rocker-chic black Ludovic de Saint-Sernin eyelet-accented leather minidress. I opened it. She continued in Mexico City wearing a white leather Robert Wang look and a black leather bustier dress by Acne Studios. And she took another futuristic turn at a photocall in Sydney, wearing a burnt orange Rick Owens top and high-waisted leather skirt.

Actors and stylists have long turned to pages and screens big and small for inspiration for red carpet outfits. But thanks to Robbie and her incredible months of work, the technique has reached new heights and cultural recognition. barbie Expertly curated by her stylist Andrew Mukamal, the promotional tour features gorgeous recreations of the looks worn by the iconic doll, bursting with pink and meticulously crafted. It was a feature.

“If people at home have knowledge and visual awareness of the characters before they watch the movie, they can actually go there,” Mukamal said. hollywood reporter He was long lauded as Stylist of the Year at a dinner celebrating the Power Stylist. Mukamal previously explored trends with Zoe Kravitz, batman, which cast her as Catwoman. “So many people already knew who Catwoman was even before they saw Zoe’s version of the character. In a project like that, barbie If you include them, there is a lot of wealth to be gained from it. This has proven to be a very good approach for certain projects, especially when it comes to getting the message across and creating great momentum on press tours. I would love to see it more and more outside. ”

Fans of Zendaya and her longtime stylist Law Roach went wild online over her tennis-core look at Luca Guadagnino’s World Press Tour challengers. She opened the Sydney premiere wearing a glittering, low-cut custom Loewe dress featuring a print of a tennis player mid-serve. She wore another Loewe design in London featuring her tennis skirt and Loewe stilettos with tennis balls attached to each heel. The appearance came on the heels of another global press tour in which the Emmy Award winner and Roach brought out a large method ensemble to play the role of Chani in director Denis Villeneuve’s film. Dune: Part 2. Who can forget Zendaya’s London look in a vintage Mugler robot suit at the 1995-1996 haute couture show?

Another high-profile example in recent months was Stone’s candidacy. poor thing With long-time stylist Petra Flannery. The veteran Louis Vuitton ambassador wore a series of custom looks that complemented Stone’s character, Vera Baxter, in a world created by Yorgos Lanthimos. “I always try to incorporate a little something from the movies, some kind of nod or part of the character,” says Flannery. THR. “I don’t usually do it in a literal or high-pressure way, but just something that helps give me a sense of inspiration, like color references or silhouettes.”

Or accessories. Flannery said: “For her character name, I had Louis Vuitton make a BB pin with gold and pearls. I sometimes placed them on looks, like on belts and lapels, to reference the character. Things like that are so exciting and it’s fun to keep adding to the art with nods to it like that. Like Emma said, this character is one of her favorites, so it brings the character to life like this. I’m really glad I was able to continue.”

Other times, the references are so subtle that even the most critical eye won’t notice them. “The mentions are so small that only me and the actress might know,” Flannery teases. “It could be a color or an accessory. It’s a way to let them know that a little piece of their character will always be with them.”

Stylist team Wayman Deon and Micah MacDonald say method dressing is a useful tool in storytelling and can tie in well with film marketing. But you can also avoid telling a different kind of story in your career. “When a new character or a new project comes along, we sometimes take excerpts from the film to tell a pictorial story,” McDonald explains. “But if we’re working with a client and they’re ready to move on to the next painting or the next direction, we shy away from that. Sometimes it’s helpful to do the exact opposite of what you just pictured to convey how you want to be perceived.