Find more feature articles like this on the Stradplaying Hub
What’s my favorite tech accessory? Oh, there are so many favorites! I have so much fun exploring new sounds and new gear. But for the sake of brevity, I’ll narrow it down to three. First, it would be rude not to mention my electric violin. This is my signature model from Volta. The “Violinatron” hybrid instrument has a built-in speaker so you can play it as a regular electric violin or completely unplugged. I worked with Marat, the company’s owner and head luthier, to design the built-in delay effect and chose a custom sparkle blue finish, so the “Flaxotron” (bitly.ws/3id4k) looks and sounds amazing.
Delay is a game-changing effect for me. Combining the legendary MN3005 bucket bridge chip (aionfx.com) with a resonant low pass filter creates the most magical sounding repeats. It has a built-in pitch shift sequencer and is also an instrument in itself. The double stops result in arpeggios that are lower than a violin can play on their own. You can also save presets, so another sound I use all the time is the “eerie, shimmering chorus” which adds dimension and mystery to more static sounds. It elicits a visceral, emotional response every time I use it.
A recent essential piece of “gear” for violin is, surprisingly, a bass amp. Last November, I fell in love with the new BG-120 Bass Cub Pro from Phil Jones Bass (philjonesbass.net). PJB is well known in the bass world for their amps and cabinets with small but very powerful speakers, and in my experience, these small speakers are great for amplifying the violin sound. Combined with PJB’s C2 extension cabinet, the BG120 is louder than any amp I’ve used on stage with a rock band. As a standalone combo, it’s the perfect volume and lightweight package for acoustic gigs where sound reinforcement is needed. The 5-band EQ is for the bass. There are “bass” and “treble” knobs, both of which are turned down quite a bit. But the frequencies selected and the speaker and cabinet all combine to make a very usable amp that always sounds good.
Subscriber Strad Purchase the June 2024 issue and receive a free 2024 accessories supplement

The Best of Technique features top performance tips from the world’s leading string players and teachers, and is packed with exercises for students to learn how to incorporate the techniques into their playing, along with examples from the standard repertoire.

The Strad’s Masterclass series features some of the finest string works ever written with the finest string players. The Masterclasses have always been one of our most popular sections and have been a valuable aid to aspiring soloists, chamber musicians and string teachers since the 1990s.

American collector David L. Fulton amassed one of the finest collections of string instruments of the 20th century, and this year’s calendar pays tribute to some of these priceless treasures, including Yehudi Menuhin’s famous “Lord Wilton” Guarneri, a Carlo Bergonzi once played by Fritz Kreisler, and four instruments by Antonio Stradivari.